The Best of Edward Abbey Read online

  More trees and different trees appear—hemlock, white pine, pitch pine and other conifers, and rows of planted Scotch pine for the Christmas tree market.

  Here’s an ancient country church, painted white but faded to gray, with a high cupola on the roof and the bell missing. The New Era Baptist Church—like the store we had passed a mile before, this church looks derelict.

  Into the hills we roll, into the past. Far up on the mountainside hangs a log cabin with blue smoke rising from the chimney. Near the road we pass an old barn made of squared-off logs, its roof covered with rusty tin. The barn is wreathed in wisteria.

  We enter a little valley. Here we find farms that appear to be actually inhabited and worked. Some of the houses are painted. The barns, while not nearly so grand as Pennsylvania barns, look fairly well kept up; they have gambrel roofs and overhanging eaves at one end to shield the open gable from rain; through the opening under the end of the roof hay is carried by hayfork and pulley into the mow. Above, on a graded, grassy hill, we see another red-brick chateau; it makes a lovely picture from the road below with its white fluted pillars two stories high, the classic pediment, the tall windows flanked by shutters. The landlord’s house.

  Beyond the valley we enter foothills again. More hillbilly shacks come in sight, chimneys smoking, doorways full of staring children. Why aren’t those children in school? I ask, scenting something sociological. Because it’s Saturday, says my wife. But the style of poverty is unmistakable.

  We see a stand of trees that look like eastern red cedar or Juniperus virginiana. There is no true cedar in the Western Hemisphere, the botanists assure us. I think of an old song I once heard, somewhere, long ago:

  You just lay there by the juniper

  When the moon is shining bright,

  And watch them jugs a-fillin’

  In the pale moonlight …

  Clair de lune, white lightning, lead poisoning and rusty-red radiators. Shine on, harvest moon. We hain’t paid no whisky tax since 1792.

  We drive through the country, out here where the people used to live, among forgotten general stores and deconsecrated churches. Hysterical hens tear across the path of the car, hogs root in the oak groves, an old horse rests his chin in the crotch of a butternut tree and watches life pass him by. We see hand-built WPA bridges arching polluted but pretty streams where great leprous-skinned sycamores lean above the water. We pass a farmhouse with a somewhat crumpled look, like a worn but comfortable shoe; a swing hangs by chains on the long front porch. We see an antique John Deere tractor, the kind with iron lug wheels, a flatbed Ford with two flat tires. A poor but honest scene.

  And then we come round a turn into the Knoxville-Gatlinburg highway and the mainstream of the way things are. By this I mean Sevierville, Tennessee, and the Little Pigeon River, full of acid, and walls of billboards on either side of the pavement drumming up trade:

  GOLDRUSH JUNCTION—Cowboys, Indians & Outlaws: Gunfights Every Day

  FORT APACHE—Gunfight Hourly—Live Saloon Shows

  FRONTIERLAND—See Real Indians—Cherokee, N.C.

  Don’t Miss the New WAX MUSEUM—See Alan Shepard, Sgt. York real-as-life

  See GHOST TOWN, MAGGIE VALLEY, N.C.—Real Life Gun Battles!

  FABULOUS FAIRYLAND—Exciting Fun Rides for All Ages

  MYSTERY HILL—Amazing Force of Gravity

  GHOST TOWN IN THE SKY—Realistic Indian Battles

  HILLBILLY VILLAGE—Copter Rides, Flea Market, Souvenirs

  CAR MUSEUM & KAMP GROUND

  JUNGLE CARGO—Indian Moccasins, Ice Cold Cider, Thick Rich Malts

  CHRISTUS GARDENS—Outstanding All-Year All-Weather Attraction

  GATLINBURG SKY LIFT—Your Shortcut to Heavenly Delight

  Oh well, it’s only innocent fun. Like any fungus. No harm in it. We proceed past the motels, filling stations, and Frigid Queen shake-and-burger joints—about ten miles of them—to the bright clean tourist town called Gatlinburg. The Gateway to Great Smoky Mountains National Park. Here we make camp for the night in a pleasant motel room with a wood fire burning in a genuine fireplace. (Small extra charge for use of firewood, says a sneaky notice inside the door.)

  Tomorrow we shall conquer Clingman’s Dome. By Volkswagen. In the meantime we make a walking tour of Gatlinburg, a town as tidy, efficient, quiet and sanitary as a Swiss ski village.

  What’s the alternative to this comfortable mediocrity? A grand European-style luxury hotel that most of us would not be able to afford? Or a return to the mode of a century ago, coming into a mountain village on horseback, having a cold supper by lamplight in the cabin-kitchen of some morose mountaineer while savage coon dogs howl and slaver on the other side of the door, then going to sleep in the early dark on a cornshuck mattress, prey to a host of bloodsucking vermin?

  Which would I prefer?

  You won’t believe me but I’ll tell you: I fancy the latter, i.e., the horse, cabin, dogs and bugs.

  Thus we see the secret failure of American commerce. For all of its obvious successes and benefits, capitalism has failed to capture our hearts. Our souls, yes, but not our hearts. There is something ugly and mean about it which most of us can never accept.

  So much for political economy. Walking at night through the quiet streets of Gatlinburg—where have all the tourists gone?—I look up, above the motel-hotel rooftops, and see the dark forms of the mountains bulking beyond, snow gleaming in the starlight.

  Real mountains.

  A WALK IN THE WOODS TO ALUM CAVE

  An inch of virgin snow covers the ground—I am the first to walk this trail today. I cross the West Prong of the Little Pigeon River on a wooden footbridge, pausing in the middle to admire the view upstream. It looks like a picture invented by Eliot Porter: granite-like boulders lodged in the torrent, sheathed in ribbed, rippled layers of ice; spillways and plunge pools, the roil and rush and roar of the complicated waters; giant hemlocks leaning over the stream, fresh snow clinging to their bark; the stones and pebbles of the creekbed gleaming through the clarity of the water; and over all, illuminating the scene and blending with its shadows, the soft gray light of the mountain air.

  Across the bridge, I sign my name in the registration book at the trailhead. I’m not only the first tourist today, I’m the first to come this way in a week. Winter time does have advantages. But on the wooden box that shelters the registration book somebody has inscribed Nazi swastikas. The good old boys were here too.

  Walking up the snowy trail under snowladen trees, I feel an immense goodwill, despite the swastikas, toward my fellowman. Perhaps because I’m alone. Anthropy, not misanthropy, is what I feel today, and that’s unusual for me. I feel a special benevolence toward the national park system and the Federal agency that administers that system. As a one-time employee of the Park Service, I was always impressed by the high esteem which the general public seems to hold for Park Service rangers and naturalists. Impressed and a little puzzled. Most of us most of the time feel toward the uniformed functionaries of the state, especially police and quasi-police like rangers, no more at best than a grudging tolerance, as of a necessary evil. Why should the Park Service enjoy a special privilege in this regard?

  Now, today, it seems to me that I have hit upon the answer. Maintaining the national park system is almost the only nice, decent, friendly thing the Federal Government does for ordinary people. Nearly all of its other activities, carried on at our expense, are for the benefit of the rich and powerful, or for the sake of secret, furtive, imperial causes that can inspire feelings only of shame and dread.

  But the national parks belong to everyone. To the people. To all of us. The government keeps saying so and maybe, in this one case at least, the government is telling the truth.

  A dead tree has fallen across the creek, forming a natural bridge. In the soft fresh snow on this bridge I see the footprints—like tiny handprints—of a raccoon going halfway across, turning, coming back. Apparently he lost his nerve midway over the icy current.
Or maybe he only changed his mind.

  A giant birch looms beside the trail, encrusted with cankers; one of the cankers resembles a tragic mask, scowling horribly. Dead trees stand here and there with stacks of saprophytic fungi, big clamlike shapes, tough and rubbery, clinging to their trunks. Elaborate filigree of ice and crystal decorates the water’s edge. The rocks are coated with lichens, moss, frozen slime. I see the tracks of a small animal that has dragged something—its own tail?—across the snow into the brush.

  High on the mountainside now, above most of the birch and hemlock, I come to what the mountaineers called a “laurel slick” and the botanists call a “heath bald.” Hard to see why one term is more useful than the other. It is a treeless area on an exposed shoulder of the mountain covered with a dense growth of shrubbery, head high, mostly members of the heath family—mountain laurel, rhododendron, sand myrtle, blueberry. The complete absence of trees in such places as this in the otherwise well-forested Smokies has not been satisfactorily explained. Perhaps eventually the trees will work their way back and resume their climactic place in the natural order here.

  Trails like tunnels burrow through the thicket. A man could hardly crawl through there on hands and knees. Far below in the foggy valley crows are yawping. Good hiding place up here, I’m thinking. The thought recalls another old mountain song:

  I’m gonna build me a cabin

  Up on the mountain so high

  That the blackbird can’t find me,

  Nor hear my sad cry …

  The sun is a pale white disc behind the flowing clouds, like a holy wafer in the sky. I’ll be fogbound pretty soon if I don’t get myself down off this smoky mountain. But first—Onward. Upward.

  To Alum Cave, which is not a cave but a great overhanging bluff a hundred feet high. The inside is coated with a film of minerals, including alum. The brow of this bluff is festooned with curtains, chandeliers, draperies, fangs and tiers of gigantic icicles, massive sabers of ice ten to twenty feet long. If one of those were to drop on a man it would cleave him from head to toe. I retreat beneath the shelter of the overhang and look out over the valleys, into the clouds, feeling as if I were inside the gaping mouth of Leviathan, peering outward past his teeth.

  How strange and wonderful is our home, our earth, with its swirling vaporous atmosphere, its flowing and frozen liquids, its trembling plants, its creeping, crawling, climbing creatures, the croaking things with wings that hang on rocks and soar through fog, the furry grass, the scaly seas. To see our world as a space traveler might see it for the first time, through Venusian eyes or Martian antennae, how utterly rich and wild it would seem, how far beyond the power of the craziest, spaced-out, acid-headed imagination, even a god’s, to conjure up from nothing.

  Yet some among us have the nerve, the insolence, the brass, the gall to whine about the limitations of our earthbound fate and yearn for some more perfect world beyond the sky. We are none of us good enough for the world we have and yet we dream of Heaven.

  Bitter as alum. Lonely laughter in the mountains. I’m close to a mile high, up among the balsam and the spruce, evening and fog are creeping close. I watch the tip of a slowly dripping icicle near my nose. Slower and slower the water oozes down. When that last drop freezes on the point it will form a little bulb, like the button on a fencing foil. Ice daggers, glassy swords and crystal knives crash around me. Time to get out of here.

  Out yonder in the purling mist a lank and long-connected bird, dark as a shadow, comes drifting toward me, scarcely moving its black wings.

  Time to go.

  THE LONG WAY HOME

  We check out of the Bearskin Motel. Churlishly I refuse to pay the extra charge for use of firewood, explaining that I think it immoral and unethical for a hotel, even a motel, to advertise as this one does—”YUP, REAL FIREPLACES”—and then penalize the unwary lodger for not bringing his own firewood. The clerk, an insouciant Southerner, smiles graciously and accepts my refusal.

  My wife salvages our laundry from the Snow White & Seven Dwarfs Washateria (free Baptist literature on the walls) and we are off, once more up the mountain to Newfound Gap and down the other side into North Carolina and the town of Cherokee, Cherokee Capital of the World.

  Here we find more charming and picturesque absurdities: The Wigwam Motel, with wigwams made of reinforced concrete (try dragging one of those down the Platte, Mrs. Crazy Horse); a green stegosaurus made of chicken wire and plaster leering at the passing motorist from the doorway of a curio shop where authentic Indian spears, made in Hong Kong, are offered for sale; The Mystery House, Closed for the Season; Frontierland—20 Rides and Shows, One Price; Deadwood Gulch; Fort Cherokee; Redskin Motel—50 Ultra-Modern Units; Honest Injun Trading Post (behind a gateway of totem poles); and the Twin Tepee Craft Shop.

  Exhilarating.

  Accelerating, we come next to the town of Sylva where I had lived for one brief term, long ago, while teaching English (I think) at the nearby University of Western Carolina.

  Sylva must once have been a lovely place. Small, with a population of 5,000, nestled in the green hills below the Smokies, full of beautiful old houses, bisected by the waters of the Tuckasegee River, enjoying the life of a market center and the dignity of county seat, Sylva may have been beautiful. Now it is something else, for the streets are grimy and noisy, jammed with traffic, the river is a sewer, and the sky a pall of smog. The obvious villain in the picture is the local Mead’s Paper Mill, busily pumping its foul garbage into the air and into the river, but general traffic and recent growth must bear the rest of the blame.

  When I commented to one of the town’s leading citizens, a fine old Southern gentleman, about the perpetual stink in the air, he replied, “Why, sir, that there smells lahk money to me.” Smug and smiling all the way to the bank, where—I hope—he drops dead on the doorstep. Pascal said somewhere that in order to grasp the concept of the infinite we need only consider human stupidity.

  I don’t know. One suffers from hope. Maybe we can learn something from what we have done to this land. Probably not. And in any case is it any better elsewhere? Is it not far worse? No matter in what nation I lived I am certain I would find much to regret. All big social organizations are ugly, brutal, inhuman—prone to criminal acts which no man or community of men, on their own, would even think of. But just the same I despise my own nation most. Because I know it best. Because I love it, suffering from hope.

  Enough of these gloomy thoughts. It’s time to begin the journey home.

  And where might that be? Where is home? That old gray gaunt Gothic farmhouse along a red-dog road in the hills of northern Appalachia? No more; never again. Where then?

  A Russian writer named Prishvin said, “Home is where you have found your happiness.” I think I know where that may be, at least for myself. Til reveal this much: it has something to do with those mountains, those forests, those wild, free, lost, full-of-wonder places that rise yet (may they always!) above the squalor of the towns.

  Appalachia, we’ll be back.

  FROM

  Black Sun

  (1971)

  Driving beyond the little beach, which he remembers well, too well, and past the big willow tree where even now he can find, if he wants to search, the blackened stones of a fireplace, he continues for another mile to the end of the road. Where things have changed. There is a ranger station here now, and a commercial marina with store, docks, a launching ramp and boats for rent.

  Gatlin chooses a small boat of the type called whaler, double-hulled fiberglass, with a powerful eighty-horsepower outboard engine. Alone, he races up the river at full throttle, through the afternoon, over a waterway that gleams under the sun like polished brass, golden and dazzling, under the red cliffs of the canyon. The wake of his boat flashes in the light, spreading from wall to wall, splashing against the rocky shore and against the white sand of lonely beaches overgrown with young willows and tamarisk. Against the wind blowing in his face, above the roar of the motor, he sings
.

  Rejoice, Columbia’s sons, rejoice,

  To tyrants never bend the knee,

  But join with heart and mind and voice

  For Jefferson! And Liberty!

  In the middle of the channel he twists the boat to the left and works his way around a sandbar into a cove he knows and likes; shutting off the motor, he ties the bow line to a tree growing out over the bank, baits a hook with salmon eggs. The fish are biting; he catches several catfish and a couple of rainbow trout but all too small. Planted fish, hatchery fish. He throws them back into the water.

  The heat becomes oppressive. He strips and dives over the side, swims around the boat twice and then to the beach, where he walks up and down for a while, naked and alone. Birds flit darkly through the willow thickets, chattering. A hawk sails overhead in the strip of blue between the cliffs. He lies in the shade, on the warm sand, unable to sleep, dreaming awake.

  Late in the afternoon he swims back to the boat, climbs aboard, casts loose and lets it drift with the current down the river. Half in shade, half in sun, he sprawls on the seat and watches through half-closed eyes the slow ponderous movement of the canyon rim a thousand feet above turning against the sky. Carved in that monumental rock he sees alcoves and arches, pillars and buttresses, and on the skyline the profiles of blind, silent, implacable gods, bird gods in stone with the mask of hawks.

  A beaver swims by, headed upstream, passing within six feet of the boat. Gatlin watches it go. On shore he sees another, standing, balanced like a tripod on its hind legs and tail, preening its sleek head with the two dexterous forepaws.

  The sound of human voices. He is floating past the marina, out of the upper canyon and through an opening in the cliffs toward the lower canyon. Toward the great canyon. Already he can hear, from a mile ahead, the first dull murmur of the rapids. A shout of warning from onshore.